The Jesus and Mary Chain bring 30 years of noise to the Vogue Theatre, performing Psychocandy in its entirety.
Review by Taisuke Tanimura, photos by Kirk Chantraine
The Jesus and Mary Chain at the Vogue Theatre, Vancouver, May 13 2015. Kirk Chantraine photo.
The band was always troubled from the start. There was constant tension between the brothers, and their early live shows sometimes devolved into violence, in part because the band shunned the audience, often playing with their backs turned to them.
In 1987, during a gig in Toronto, Jim Reid threw his mic stand into the crowd, hitting one person on the head and slashing the arm of another. However, by the 1990s most of the antagonism between the band and audience had dissipated, though the love/hate relationship between the brothers continued until the group disbanded in 1999.
Still, time heals all wounds, and in 2007 the Reids reunited for a performance at Coachella and played a smattering of shows in the years that followed. This year they embarked on a tour to celebrate the 30th anniversary of Psychocandy, including a sold-out show at the Vogue last night.
Before playing through Psychocandy, the five-piece band played a handful of songs from other albums, including my personal favourite, “Some Candy Talking.” Three decades on, both brothers are still not much to watch on stage, with William hunched over his guitar and Jim not venturing more than a few metres from his mic stand.
There was a certain weariness about them, perhaps because they have been playing these songs for so long, but I was slightly disappointed by the lack of dynamism on stage. Then again, it’s not like they have a reputation as crowd-pleasers, so maybe I should be happy that they were at least facing the audience.
After a brief break, the band came back on stage and played Psychocandy from start to finish. It was awesome to hear songs like “Just Like Honey” and “You Trip Me Up” live. It brought back a lot of memories, as I’m sure it did for a lot of other people. The songs on the album have that magic quality that wraps up moments in time such that just hearing a few notes can bring back a flood of feelings.
It’s why the band can still pack a large venue after all this time. There were visuals to accompany the songs which did help distract from the stillness on stage, although I will cop to moments of boredom just because there’s only so long you can stare at motionless people playing their instruments.
Still, it was satisfying to see the group in the flesh and to hear such a classic album being played by live instruments.
Opener The Black Ryder is an Australian band whose sound is heavily indebted to the headliner’s. Originally from Sydney and now based in L.A., Aimee Nash and Scott Von Ryper make woozy, layered music that sits somewhere between shoegaze and psychedelic rock. They released their second album, The Door Behind the Door, in February.
Photos from The Jesus and Mary Chain’s Psychocandy 30th-anniversary show at the Vogue Theatre in Vancouver on May 13, 2015. Photos by Kirk Chantraine.
